Poetry
Excerpt from “Psalms of Lament for Divine Imperatives,” Dialogist, 2023
Excerpts from “Psalms of Lament for Divine Imperatives,” Pigeon Pages, 2022
Excerpt from “Psalms of Lament for Divine Imperatives,” THE SHORE, 2022
Hypergraphia and Other Failed Attempts at Paradise, New Issues Press Editor’s Choice Award, 2021
“To the Actor Who Plays Me in an Educational Video,” Dialogist, 2021
“Swell,” Featured Poem, After the Pause, 2021
“When Asked What Is Happiness,” Pioneertown, 2020
“Nice Moments with Moral Enemies,” Random Sample, 2019 (with Kendall Babl)
“Uninvited Images Arriving to the Lightless Shale of Sleep,” Rogue Agent, 2019 (with Kendall Babl)
“The Adams County Opportunity Center,” The Citron Review, 2019 (with Kendall Babl)
“Delusions of Reference in a Dark Room,” The Journal, 2019
“from Release,” Poetry Daily, 2018
“from Days of the God-Sized Brains,” Two Cities Review, 2018
“Dark Helicopter,” Gulf Coast, 2018
“Not a Walk on the Beach,” Hobart, 2018
“from Days of the God-Sized Brains,” wildness, Issue 12, 2018
“This Is Not a Poem about Poppies,” Future Fossil Flora, Issue I, 2017
“from Release,” Birdfeast, Issue 13, Winter, 2017
“Solid City,” Beloit Poetry Review, Winter, 2017
“Behind the Century,” Cream City Review, Volume 40, Number 1, 2016
“Beta Waves Are Not Part of the Ocean and We Prefer the Ocean,” Really System, Issue 10, 2016
“Deus Ex Machina [Light bright]” and “Deus Ex Machina [Soaking up],” Nightblock, Issue 8, 2016
“Release [Sylvia knows]” and “Release [My father drinks],” Rhino, 2016
“from Days of the God-Sized Brains,” Banango Street, Issue 11, 2016
“Sand and Flowers,” alice blue review, Issue 26, June 2015
“Why I Still Use My Dead Pet’s Name as My Password” and “This Is What It Sounds Like to Lose Time and Ask for It Back in a Letter,” Whiskey Island Magazine, Issue 62, Winter 2015
“An Air Loom for James Tilly Matthews,” and “The Furies Leave Los Angeles,” The Seattle Review, Winter 2015
“Impossible Installation: A Boat Named January,” Star 82, Summer 2014
“Plastic Ocean,” Seeking It’s Own Level: An Anthology of Writings about Water, Motesbooks Anthology, vol. 4, Summer 2014
“Bird Bath Lyric,” and “Rainwater and Gin,” The Bear River Review, Summer 2010
“Explaining Poetry to My Mother While Driving on Interstate 80,” and “The Yesco Scrap Heap, Oh Yes,” Dunes Review, Summer 2010
“A Cycle for Bicycle Thieves,” The Concher, Fall 2009
“The True World Wears a Sweater“ and “The True World Participates in a Cake Walk,” Gulf Coast, Fall 2009
“The True World as Temporary,” Sycamore Review, Fall 2009
“The True World,” The Cimarron Review, Winter 2009
“The True World Lives by the Philosophy of Bullies,” The Cincinnati Review, Fall 2008
“Poltergeist” Verse Daily Website, Winter 2008
“In Memory of Derrida During the Antique Road Show and Nature,” Oleander Review, Fall 2007
“Poltergeist,” and “Broken Down Georgic,” The Southern Review, Fall 2007
“The True World Casts No Shadow,” and “The True World Goes Down with the Hindenburg,” Michigan Quarterly Review, Spring 2006
Essays and Art Reviews
“For the Love (and Pain) of It: A Review of Her Read,” Denver Quarterly, 2023
“This Is Not a Day at the Fair: On Poetry and PTSD,” Grist, 2023
“Falling in Love with a Glass House: Twenty-Four Views of Mies van der Rohe’s Farnsworth House,” The Shell Game: Writers Play with Borrowed Forms, University of Nebraska Press, April 2018
“How I Became an Angel,” Show Me All Your Scars: An Anthology of Essays on Mental Illness, In Fact Books, May 2016
“Where Are We Going, Where Have We Been: Further Reflections on Kelberman’s Cloud Formations,” Carbon Culture: The Intersection of Technology, Literature and Art, January 2016
“Sailors Take Warning: Dina Kelberman’s Cloud Formations at the Cave Gallery in Detroit,” Carbon Culture: The Intersection of Technology, Literature and Art, November 2015
“Lost Ladder: Middle Section Broken – Last Seen 1967,” Arthopper, Oct 2012
“A World Beyond Prediction: Post Apocalypse at the Gallery Project,” Arthopper, Jan 2012
“Extremes at the Gallery Project: Now You See Them, Now You Don’t,” Gallery Project, July 2011
“One Door Is Not Enough,” Montage: The University of Michigan Museum of Art Magazine, Fall, 2009
Jennifer Metsker 